All the Light We Cannot See

All the Light We Cannot See

May 6, 2014

In 1934, Marie-Laure LeBlanc is a six year old blind girl living in Paris with her father, the master locksmith at the Museum of Natural History in Paris....

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Historical Fiction

544 Pages
4.6

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Book Content


In 1934, Marie-Laure LeBlanc is a six year old blind girl living in Paris with her father, the master locksmith at the Museum of Natural History in Paris.

All the Light We Cannot See is a war novel written by American author Anthony Doerr, published by Scribner on May 6, 2014. It won the 2015 Pulitzer Prize for Fiction and the 2015 Andrew Carnegie Medal for Excellence in Fiction.

 

Set in occupied France during World War II, the novel centers on a blind French girl and a German boy whose paths eventually cross.

Anthony Doerr (born October 27, 1973) is an American author of novels and short stories. He gained widespread recognition for his 2014 novel All the Light We Cannot See, which won the Pulitzer Prize for Fiction.

All the Light We Cannot See. From the highly acclaimed, multiple award-winning Anthony Doerr, the beautiful, stunningly ambitious instant New York Times bestseller about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II.

Characters

 

    Marie-Laure LeBlanc – A blind French girl; the main character

    Werner Pfennig – A German orphan boy, very scientifically gifted; the second main character

    Daniel LeBlanc – Marie-Laure's father and the head locksmith at the National Museum of Natural History in Paris

    Sergeant Major Reinhold von Rumpel – a sergeant major and gemologist in the German army

    Etienne LeBlanc – Marie-Laure's great-uncle and a resident of Saint-Malo

    Madame Manec – Etienne's longtime maid and housekeeper

    Jutta Pfennig – Werner's sister

    Frau Elena – caretaker of Werner and Jutta in the orphanage

    Hauptmann – Werner's professor at Schulpforta

    Frederick – Werner's friend; very strong-willed

    Frank Volkheimer – Werner's friend; a sergeant in the German army

 

Review:

theguardian.com

Carmen Callil

This novel will be a piece of luck for anyone with a long plane journey or beach holiday ahead. It is such a page-turner, entirely absorbing: one of those books in which the talent of the storyteller surmounts stylistic inadequacies and ultimately defies one's better judgment.

 

Good things first: the story, which is set in Germany and France before and during the German occupation of France. Doerr's energetic imagination seems steeped in the favourite books of childhood: Marie-Laure is a little blind French girl, motherless, with the freckles of Pollyanna and Anne of Green Gables. Werner Pfennig and his sister Jutta are orphans in the German mining town of Zollverein, near Essen. He is a boy of seven with white hair, like snow, whose presence is "like being in the room with a feather". Werner may be tiny, but he is no Peter Pan. He has a gift for science, and the intricacies of radios in particular. He can fix anything.

 

Marie-Laure is six years old when the novel begins in Paris in 1934, where she lives with her beloved Papa, a locksmith and keeper of the keys at the Muséum National d'Histoire Naturelle. There, hidden in its vaults for the past 200 years, is an accursed gem, a greyish-blue sea diamond with a red hue at its centre: the Sea of Flame.

 

Marie-Laure's father is also the creator of ingenious puzzles and delightful miniatures – of the streets and houses of Paris, for instance. The miniatures teach Marie-Laure, using her fingers as eyes, how to navigate the city. Ultimately she survives the destruction and desolation of the Occupation through the books she can read in braille. Though this is a novel Dickens would read with some interest, it is Jules Verne and Darwin who are the key to Marie-Laure's future. She devours Around the World in Eighty Days, Twenty Thousand Leagues Under the Sea, and Darwin's The Voyage of the Beagle.

 

Werner's talent brings him to the attention of the Nazis, and he is sent to a national school that trains, ferociously, an elite cadre for the Third Reich. The chapters on Werner's schooling, and the fate of his brutalised friend Frederick, are the best in the book. Doerr's prose needs no embellishment as this section gently probes the question of how ordinary German people could have done what they did.

 

Marie-Laure and her father escape Paris in 1940, and take refuge in Saint?Malo, on the coast of Brittany. Her father has been entrusted with the Sea of Flame. Werner's genius is put to work tracking radio transmissions across Russia and Central Europe, until he is sent to Saint-Malo, where Marie?Laure's great?uncle Etienne uses his radio transmitter on behalf of the Resistance. The pursuit of the Sea of Flame continues as the US Air Force blasts the walled city to smithereens two months after the D-Day landings.

 

Doerr constructs an unusual edifice, made up of fable and the prodigious inventions of the mechanical, technical and natural world. Snails, molluscs, the creatures of earth and sky, the properties of gemstones and coal, all the technological marvels embraced by the Nazis are converted into sources of wonder, as the intricacies of radio waves, and the data they hurtle through the air, offer an alternative way to harness both science and the goodness in human nature.

 

Unfortunately, Doerr's prose style is high-pitched, operatic, relentless. Short sharp sentences, echoing the static of the radios, make the first hundred pages very tiresome to read, as does the American idiom. Somehow it is strange to listen to the thoughts of Marie-Laure and Werner and the many other characters, both German and French, give forth such Yankee utterances as "Werner … you shouldn't think big." Sidewalks, apartment houses, the use of "sure" instead of "yes' – all these cut across the historical background that Doerr has so meticulously researched. No noun sits upon the page without the decoration of at least one adjective, and sometimes, alas, with two or three. And these adjectives far too often are of the glimmering, glowing, pellucid variety. Eyes are wounded, nights are luminous and starlit, seagulls are alabaster. "Fields enwombed with hedges" is almost the last straw. And so the novel is far too long.

 

Nevertheless, often Doerr rises again as, entranced with the story he is telling, he lets the overwriting slip away. And his attention to detail is magnificent. Always you want to know what happens next to Marie-Laure, to her father, her great-uncle Etienne, to Werner and Jutta, and to his considerable parade of other characters. Much can be forgiven a Pied Piper like Doerr, who can pour his obsessive energies into a tale such as this.

 

 

Book Awards


Pulitzer PrizeAndrew Carnegie Medals for Excellence in Fiction and Nonfiction

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