Earnshaw, a Yorkshire Farmer and owner of Wuthering Heights, brings home an orphan from Liverpool. The boy is named Heathcliff and is raised with the Earnshaw children, Hindley and Catherine. Catherine loves Heathcliff but Hindley hates him because H...
Wuthering Heights is a novel by Emily Brontë published in 1847 under her pseudonym "Ellis Bell". Brontë's only finished novel, it was written between October 1845 and June 1846Wuthering Heights and Anne Brontë's Agnes Grey were accepted by publisher Thomas Newby before the success of their sister Charlotte's novel Jane Eyre. After Emily's death, Charlotte edited the manuscript of Wuthering Heights and arranged for the edited version to be published as a posthumous second edition in 1850
Emily Jane Brontë 30 July 1818 – 19 December 1848) was an English novelist and poet who is best known for her only novel, Wuthering Heights, now considered a classic of English literature. She also published one book of poetry with her sisters Charlotte and Anne titled Poems by Currer, Ellis and Acton Bell with her poems finding regard as poetic genius. Emily was the third-eldest of the four surviving Brontë siblings, between the youngest Anne and her brother Branwell. She published under the pen name Ellis Bell.
The book has 34 chapters
The above image of Emily Brontë – endlessly reproduced – is less a portrait, more an icon. Intense, fierce, inward, solitary, elusive and unknowable: the young author of Wuthering Heights in profile is of a piece with her first, and only, novel.
Her elder sister's work – Jane Eyre (no 12 in this series) – hypnotises the reader through the calculated force of its tone, its "suspended revelations", and its hints of suppressed eroticism. It builds, slowly, to a poignant climax in which, finally, its protagonists are redeemed, though not in a way that's conventional. Wuthering Heights, by contrast, plunges impetuously into a wild and passionate exploration of love in all its destructive manifestations.
Brontë's narrative – fragmented, discordant and tortuous – revolves obsessively around a single, explosive transgression, and the theme of jealousy in the lives of Heathcliff and Catherine, before making a calmer return to the theme in the often neglected second half.
Where Charlotte comes from the puritan tradition of John Bunyan (no 1 in this series), Emily is the child of the Romantic movement, and both sisters are steeped in the gothic. However, it is Emily who takes the bigger creative risks. The first reviews of Wuthering Heights were mixed. Critics who had been swept away by Jane Eyre did not know what to make of it. For a long time it was judged to be inferior. Readers who love Jane Eyre are sometimes less enthusiastic about Wuthering Heights. And vice versa. I've included both in my list because their influence on the English imagination, and on subsequent English-language fiction, has been incalculable. Looking back, it's clear that where Jane Eyre comes out of a recognisable tradition, and is conscious of that affiliation, Wuthering Heights releases extraordinary new energies in the novel, renews its potential, and almost reinvents the genre. The scope and drift of its imagination, its passionate exploration of a fatal yet regenerative love affair, and its brilliant manipulation of time and space put it in a league of its own. This is great English literature, the fruit of a quite extraordinary childhood. To look forward, I think we can say that the work as we know it of Thomas Hardy, DH Lawrence, and even Rosamond Lehmann would have been impossible without it. As a portrait of "star-cross'd lovers" it rivals Romeo and Juliet. There is also something operatic about its audacity and ambition. No wonder film-makers, song writers, actors and literary critics have been drawn to reinterpret its story.
And then there are its quieter pleasures. Like Hardy and Lawrence, Emily Brontë has an uncanny eye and ear for the natural world. When Lockwood visits Heathcliff's and Cathy's graves at the end of the novel, the poetry in the voice is Brontë's:
"I lingered round them, under that benign sky; watched the moths fluttering among the heath, and hare-bells; listened to the soft wind breathing through the grass; and wondered how any one could ever imagine unquiet slumbers, for the sleepers in that quiet earth."
Wuthering Heights was published three months after Jane Eyre in December 1847. A year later, Emily was dead, from consumption, aged just 30. Charlotte wrote later: "Stronger than a man, simpler than a child, her nature stood alone."
Age raging: 14+
|#||Logo||Name||Book cover||Book weight||Book dimensions||ISBN|
|1||W. W. Norton & Company||12.6 ounces||5.1 x 1 x 8.4 inches||978-0393284997|
|2||Wordsworth Editions Ltd||6.4 ounces||5 x 0.8 x 8 inches||978-1853260018|
|3||Penguin Classics||10.6 ounces||7.7 x 5 x 1 inches||978-0141439556|
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